![]() ![]() The interns and the PAs who are new to the biz usually cut their teeth on that lesser priority stuff. The stuff that comes in from the reputable agents always goes to the execs, their assistants and the experienced readers. ![]() Let me clear up something here - if interns are ever reading anything, it comes from the slush pile and from the lower-priority scripts that aren't expected to be any good. I often hear about interns and fresh out of film school students getting these positions in both venues so what sets a good reader from a mediocre one? Beyond the years of experience and who you have worked for, how does someone with a high level of expertise get hired? Does anyone ever track or question the number of films a reader placed under a recommend or consider status that made money verses those that bombed? hire script readers they feel have the skill set to determine film worthy material verses those readers that are more apt to be relegated to second-tier screenwriting competitions. I'm curious how studios, production companies, etc. ![]()
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